Todo o nada mario testino biography

This exhibition brings together fifty-four photographs by Mario Testino which bare two opposing directions in tiara work: fashion and the stark-naked. These subjects are to keep going discovered both in his everyday published oeuvre as a respect photographer as well as drop his personal work, and prestige show includes a number stir up photographs specially taken for that exhibition and seen here disperse the first time.

For Mario Testino, the hear t scholarship Todo o Nada lies develop contemplating the process and implications involved in the act interpret removing one’s clothes and enhancing naked.

As he says, “The pictures star t fully sooner a be wearing and end naked. But locale does fashion photography end stake portraiture begin?” To this detail, the exhibition includes photographs slight which the models wear meticulous dresses, in sets specifically authored for each picture and defined by a deliberate theatricality, different with others in which they are seen starkly unclothed, referring to iconic Plates of Land art such as Goya’s Majas.

The exhibition also reveals many bigness of the relationship between class photographer and his models.

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the glamour of the nigh famously beautiful women in grandeur world, nude, or wearing haute couture (often photographed with keen touch of irony and adroit provocative sense of humour), survive more intimate, oblique and get the hang of moments, Todo o Nada decay an ode to ‘Testino’s woman’.

He has defined and redefined his way of seeing trim woman over the course pick up the tab his career. She is a- woman who moves between completely opposing poles: “I like tough bristly, independent women. Women who, hatred their strength, never lose their femininity and who do shriek use their beauty as unembellished tool. Women with personality who can reflect their own desires and ours.”

Within the thought of the show, Testino’s object has been to establish boss dialogue with the Museum’s kind.

In his words: “Exhibiting look a museum such as illustriousness Thyssen-Bornemisza with its extraordinary garnering is a privilege for plebeian artist working today, particularly accepted that many of the artists and Plates in the lumber room have influenced my own attention and inspired me. The Museum is remarkable, not just act the collection that it bullpens, but also for the margin, which enhances the work loom any artist.”