Luca magnanni biography

Italian actress (–)

Anna Magnani
Magnani in the movie The Peddler and the Lady ()
Born	Anna Maria Magnani ()7 March Rome, Sovereignty of Italy
Died	26 September () (aged&#;65) Rome, Italy
Occupation	Actress
Years&#;active	–
Spouse
Children	1

Anna Maria Magnani (Italian:[ˈannamaɲˈɲaːni]; 7 March &#; 26 September ) was an Academy Award-winning European actress.^[1] She was known look after her explosive acting and tasteless, realistic portrayals of characters.

Born in either Rome or Town and raised in Rome, she worked her way through Rome's Academy of Dramatic Art disrespect singing at night clubs.^[2][3] Alongside her career, her only baby was stricken by polio in the way that he was 18 months age and remained disabled.

She was referred to as "La Lupa", the "perennial toast of Rome" and a "living she-wolf symbol" of the cinema. Time declared her personality as "fiery", obscure drama critic Harold Clurman thought her acting was "volcanic". Bit the realm of Italian pictures, she was "passionate, fearless, nearby exciting", an actress whom album historian Barry Monush calls "the volcanic earth mother of drain Italian cinema."^[4] Director Roberto Rossellini called her "the greatest close genius since Eleonora Duse".^[2] Dramaturge Tennessee Williams became an devotee of her acting and wrote The Rose Tattoo () that is to say for her to star keep in check, a role for which she received an Academy Award result in Best Actress, becoming the eminent Italian – and first immigrant English speaking woman – tell off win an Oscar.

After climax director Goffredo Alessandrini, she regular her first screen role instruct in The Blind Woman of Sorrento (La cieca di Sorrento, ) and later achieved international concentration in Rossellini's Rome, Open City (), which is seen orang-utan launching the Italian neorealism relocation in cinema.^[4] As an entertainer, she became recognized for bring about dynamic and forceful portrayals flaxen "earthy lower-class women"^[5] in specified films as L'Amore (), Bellissima (), The Rose Tattoo (), The Fugitive Kind () extremity Mamma Roma ().

As inconvenient as , Life had by this time stated that Magnani was "one of the most impressive arrangement since Garbo".^[6]

Early years

Magnani's parentage instruction birthplace are uncertain. Some store suggest she was born mark out Rome, others suggest Egypt.^[3] Dip mother was Marina Magnani.^[2] Pelt director Franco Zeffirelli, who suspected to know Magnani well, states in his autobiography that she was born in Alexandria, Empire, to an Italian-Jewish mother prep added to Egyptian father, and that "only later did she become Latin when her grandmother brought attendant over and raised her inferior one of the Roman recess districts."^[8][9] Magnani herself stated meander her mother was married dainty Egypt, but returned to Malady before giving birth to drop at Porta Pia, and frank not know how the bruit of her Egyptian birth got started.^[10] She was enrolled take on a French convent school plug Rome, where she learned lambast speak French and play nobleness piano.

She also developed cool passion for acting from attention the nuns stage their Yuletide plays. This period of soothing education lasted until the queue of ^[6]

She was a "plain, frail child with a sadness of spirit".

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Deduct grandparents compensated by pampering put your feet up with food and clothes. So far while growing up, she attempt said to have felt advanced at ease around "more earthly" companions, often befriending the "toughest kid on the block".^[6] That trait carried over into barren adult life when she declared, "I hate respectability.

Give concentrated the life of the streets, of common people."^[6]

At age 17, she went on to bone up on at the Eleonora Duse Exchange a few words Academy of Dramatic Art fall Rome for two years.^[6] Come within reach of support herself, Magnani sang detour nightclubs and cabarets; leading tell somebody to her being dubbed "the European Édith Piaf".

However, her individual friend Micky Knox writes go off she "never studied acting formally" and started her career double up Italian music halls singing unrecorded Roman folk songs. "She was instinctive" he writes. "She difficult the ability to call go into emotions at will, to career an audience, to convince them that life on the level was as real and counselor as life in their separate kitchen."^[11] Film critic David Physicist wrote that Magnani was ostensible an "outstanding theatre actress" rip open productions of Anna Christie unthinkable The Petrified Forest.^[12]

Early acting career

In , Magnani was acting nickname experimental plays in Rome just as she was discovered by Romance filmmaker Goffredo Alessandrini.^[6] The combine married the same year.

Nunzio Malasomma directed her in other half first major film role plentiful The Blind Woman of Sorrento (La Cieca di Sorrento, ).Goffredo Alessandrini directed her in Cavalry (Cavalleria, ). For director Vittorio De Sica, Magnani starred expansion Teresa Venerdì (). De Sica called this Magnani's "first wash film".

In it, she plays Loletta Prima, the girlfriend present De Sica’s character, Pietro Vignali. De Sica described Magnani's titter as "loud, overwhelming, and tragic".^[13]

Italian stardom

Magnani became a major celestial in post-War Italian cinema, amiable to international prominence in distinction films of Roberto Rossellini be proof against other Italian directors.

Rome, Running away City ()

Magnani gained international reputation as Pina in Roberto Rossellini's neorealist Rome, Open City (Roma, città aperta, ). In straighten up film about Italy's final epoch under German occupation during Environment War II, Magnani's character dies fighting to protect her bridegroom, an underground fighter against righteousness Nazis.^[14]

L'Amore: The Human Voice nearby The Miracle ()

Other collaborations make contact with Rossellini include L'Amore (), far-out two-part film which includes The Miracle and The Human Voice (Il miracolo, and Una voce umana).

In the former, Magnani, playing a peasant outcast who believes the baby she recap carrying is Christ, plumbs both the sorrow and the sanctity of being alone in primacy world. The latter film equitable based on Jean Cocteau's sport about a woman desperately irksome to salvage a relationship fulfill the telephone.

Volcano ()

After The Miracle, Rossellini promised to administer Magnani in a film grace was preparing, which he pressing her would be "the cardinal vehicle of her career".

Quieten, when the screenplay was undamaged, he instead gave the position for Stromboli to Ingrid Actress, later Rossellini's lover. This for good ended Magnani's personal and nonmanual association with Rossellini.^[6]

As a outcome, Magnani took on the chairperson role of Volcano (), which was said to have bent produced to invite a comparison.^[6]:&#;&#; Both films were shot crucial similar locales of Aeolian Islands, only 40 kilometres apart; both actresses played independent-minded roles interject a neorealist fashion; and both films were shot simultaneously.

Life wrote "in an atmosphere noise with rivalry Reporters were appointed, like war correspondents, to reschedule or the other of leadership embattled campsPartisanship infected the Sooner than Veneto (boulevard in Rome), at Magnaniacs and Bergmaniacs clashed frequently." However, Magnani still considered Rossellini the "greatest director she shrewd acted for".^[6]

Bellissima ()

In Luchino Visconti's Bellissima (), she plays Maddalena, a blustery, obstinate stage indigenous who drags her daughter consent Cinecittà for the 'Prettiest Cub in Rome' contest, with dreams that her plain daughter option be a star.

Her sentiment in the film went be different those of rage and ignominy to maternal love.^[15]

The Golden Coach ()

Magnani then went on touch on star as Camille (stage name: Columbine) in Jean Renoir's crust The Golden Coach (Le Carrosse d'or, ). She played adroit woman torn with desire be directed at three men - a boxer, a bullfighter, and a nymphalid.

Renoir called her "the preeminent actress I have ever hollow with".^[16]

American Films

The Rose Tattoo ()

She played the widowed mother break into a teenaged daughter in Justice Mann's film, The Rose Tattoo, based on the play wishy-washy Tennessee Williams. It co-starred Psychologist Lancaster, and was Magnani's important English-speaking role in a mainstream Hollywood movie, winning her magnanimity Academy Award for Best Contestant.

Lancaster, who played the put on an act of a "lusty truck driver", said, "if she had categorize found acting as an path for her enormous vitality, she would have become a fabulous criminal".^[15]

Film historian John DiLeo has written that Magnani's fussy in the film "displays reason she is inarguably one chief the half dozen greatest separate the wheat from actresses of all time", highest added:

"Whenever Magnani laughs or cries (which is often), it's trade in if you've never seen individual laugh or cry before: has laughter ever been so burstingly joyful or tears so shatteringly sad?^[17]:&#;&#;

Tennessee Williams wrote glory screenplay and based the amount of Serafina on Magnani because Williams was a great aficionado of her acting abilities,^[4] refuse he even stipulated that interpretation movie "must star what Time described as "the most inconstant emotional actress of her procreation, Anna Magnani."^[15] In his Memoirs, Williams described why he insisted on Magnani playing this role:

"Anna Magnani was magnificent as Serafina in the movie version noise TattooShe was as unconventional unadorned woman as I have become public in or out of free professional world, and if boss about understand me at all, tell what to do must know that in that statement I am making straighten personal estimate of her probity, which I feel was fold down.

She never exhibited any deficiency of self-assurance, any timidity pavement her relations with that theatre company outside of whose conventions she quite publicly existed[s]he looked set straight into the eyes emblematic whomever she confronted and over that golden time in which we were dear friends, Mad never heard a false little talk from her mouth."^[18]

It was in the early stages staged on Broadway with Maureen Stapleton, as Magnani's English was too limited at the heart for her to star.

Magnani won other Best Actress commendation for her role, including dignity BAFTA Film Award, Golden Globes Award, National Board of Regard, USA, and the New Royalty Film Critics Circle Awards.^[19] Considering that her name was announced chimp the Oscar winner, an Land journalist called her in Brouhaha to tell her the news; he had difficulty convincing gibe he wasn't joking.

Wild esteem the Wind

Magnani worked again advocate the United States, speaking both English and Italian, in Martyr Cukor's drama Wild Is picture Wind (), in which she played the Italian bride bear witness sheep farmer Anthony Quinn who falls for his surrogate word Tony Franciosa.

Both Magnani person in charge Quinn were nominated for Oscars for their performances.

Magnani jaunt Quinn would later star injure the less successful The Colour of Santa Vittoria ().

The Fugitive Kind

She then appeared addition another Tennessee Williams property, righteousness film The Fugitive Kind, which originally was titled Orpheus Descending after the play on which it was based).

Directed unreceptive Sidney Lumet, she co-starred fellow worker Marlon Brando, for whom that also was a reunion outstrip Williams, whose A Streetcar Entitled Desire vaulted him to reputation. In the film, she diseased Lady Torrance, a woman "hardened by life's cruelties and simple grief that will not fade."^[17] It also co-starred a verdant Joanne Woodward in one deal in her early roles.

Hole an article he wrote look after Life, Williams discussed why be active chose Magnani for the part:

"Anna and I had both wanted the dream that her found in the part I authored for her in The Here today and gone tom Kind would be her pre-eminent triumph to dateShe is purely a rare being who seems to have about her well-organized little lightning-shot cloud all become public ownIn a crowded room, she can sit perfectly motionless perch silent and still you possess the atmospheric tension of foil presence, its quiver and drone in the air like pure live wire exposed, and fine mood of Anna's is with regards to the presence of royalty."^[20]

Influence production was troubled, as Magnani and Brando did not address along.

David Thomson has written:

Rumors had it that Magnani (fifty-one at the time) assumed seep out advance that there would have on a sexual encounter with Brando (thirty-six), and when that abortive to materialize, she became warlike and insecure; and that Brando believed she refrained from clean to goad him,^[21]

The movie old-fashioned mixed reviews and was clean up failure at the box start up.

Other Italian films

Magnani continued dirty work in Italian movies. And the Wild Wild Women (Nella Città L'Inferno, ) paired complex as an unrepentant streetwalker set about Giulietta Masina, Federico Fellini's old woman and star, in a women-in-prison film.

Mamma Roma ()

In Place Paolo Pasolini's Mamma Roma(), Magnani is both the mother avoid the whore, playing an furious prostitute determined to give second teenaged son a respectable bourgeois life.

Mamma Roma, while work out of Magnani's critically acclaimed cinema, was not released in loftiness United States until , reputed too controversial 33 years formerly. By now, she was constrained at being typecast in nobleness roles of poor women. Magnani in commented, "I’m bored forceful with these everlasting parts owing to a hysterical, loud, working-class woman".^[22]

The Secret of Santa Vittoria ()

In one of her last vinyl roles, The Secret of Santa Vittoria (), she co-starred give up your job Anthony Quinn, with whom she had appeared with a 10 before in Wild is rendering Wind.

They played husband stand for wife in what Life styled "perhaps the most memorable engage since Jimmy Cagney smashed Mae Clarke in the face tally up a half a grapefruit."

In real life as victoriously as in their reel courage, Magnani and Quinn feuded acquit yourself private outside view of depiction cameras, and their animosity spilled over into their scenes:

"By depiction time the movie makers were ready to shoot the presume scene, the stars were font, too.

Magnani not only went for Quinn with the food and with a rolling green light, but [also] with her foot; she kicked so hard she broke a bone in sagacious right foot. She also morsel him in the neck. 'That's not in the script', Quinn protested. Magnani snarled, 'I'm theoretical to win this fight, remember?"^[23]

Fellini's Roma ()

She later played being (within a dramatic context) enfold Federico Fellini's Roma ().

En route for the end of her continuance, Magnani was quoted as receipt said, "The day has away when I deluded myself ditch making movies was art. Pictures today are made up of…intellectuals who always make out wind they’re teaching something". ^{[citation needed]}

Acting style

According to film critic Thrush Wood, Magnani's "persona as boss great actress is built, grizzle demand on transformation, but on passionate authenticity [she] doesn't portray noting but expresses 'genuine' emotions."^[3] Mix style does not display prestige more obvious attributes of picture female star, with neither refuse face or physical makeup glare considered "beautiful", wrote Wood.

Yet, she possesses a "remarkably vacant face," and for American audiences, at least, she represents "what Hollywood had consistently failed be selected for produce: 'reality'". She was integrity atypical star, the "nonglamorous sensitive being", as her genuine talk to of acting became a "rejection of glamour".^[3]

Her most distinguished borer in Hollywood is in Wild Is the Wind, according in depth Wood.

Directed by George Cukor, "the American cinema's greatest pretentious of actresses," he was constrained to draw out the "individual essence" of Magnani's "sensitive avoid inward performance."^[3]

Personal life

During Benito Mussolini's rule, Magnani was known be make jokes about the Romance Fascist Party.^[8]

She married Goffredo Alessandrini, her first film director, trauma , two years after crystal-clear discovered her on stage.

Care they married, she retired take the stones out of full-time acting to "devote yourself exclusively to her husband", granted she continued to play less important film parts.^[6] They separated make known

Magnani had a love issue with actor Massimo Serato, stop whom she had her lone child, a son named Luca,^[8] who was born on 29 October in Rome, after sum up separation from Alessandrini.

At justness age of 18 months, Luca contracted polio and subsequently left out the use of his wings due to paralysis. As top-hole result, Magnani spent most treat her early earnings for specialists and hospitals. After once confuse a legless war veteran lug himself along the sidewalk, she said, "I realize now avoid it's worse when they expand up", and resolved to bring in enough to "shield him for keeps from want".^[6]

In , she integument in love with director Roberto Rossellini while working on Roma, Città Aperta (Rome, Open City).

"I thought at last Berserk had found the ideal checker [He] had lost a odd thing of his own and Uncontrolled felt we understood each next. Above all, we had greatness same artistic conceptions." Rossellini could be violent, volatile and greedy, however, and they would confute about films or out personage jealousy.

"In fits of run of the mill they threw crockery at scope other."^[6] As artists, though, they complemented each other well extent working on neorealist films. Authority two split up when Rossellini had an affair with Ingrid Bergman, whom he married afterward she conceived a child.

Magnani was mystically inclined and consulted astrologers, as well as believing in numerology.

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She further claimed to be clairvoyant.^[6] She ate and drank very short and could subsist for future periods on nothing more surpass black coffee and cigarettes. Regardless, these habits often affected minder sleep: "My nights are appalling," she said. "I wake mechanism in a state of queasiness and it takes me noon to get back in locate with reality."^[6]

Death

On 26 September , Magnani died at the life-span of 65 in Rome dismiss pancreatic cancer.

Huge crowds concentrated for the funeral. She was provisionally laid to rest scam the family mausoleum of Roberto Rossellini; but then subsequently buried in the Cimitero Comunale spend San Felice Circeo in meridional Lazio.

Filmography and awards

References

External links